Megan Henry

  • "Where one would expect a flighty frenzy we see some very subtle and honest acting; she sits frozen, eyes slightly widening, listening intently as the realization of her situation violently assaults her. It is a touching moment, wonderfully played, without a ghost of overacting. When Anne is called upon to sing, Henry echoes Charlotte’s bitter sentiments in her own clear, rich and innocent voice. As the show goes on, and Charlotte and Anne plot revenge together, she is a delight. Her jealousy is not brooding but playful and energetic, and Anne’s character growth is quite rapid in the closing moments of the first act. And her voice, of course, is gorgeous.”

    Iowa Theater Blog; "A Little Night Music"

  • "une impeccable Rosalinde (Megan Henry) avec l’ampleur, l’étoffe et le charme voulus, dans une distinction vocale la différenciant idéalement de l’Adèle"

    Le Devoir/Christophe Huss/Voix à suivre dans «La chauve-souris»

  • "Megan Henry als die schöne Müllerin, brilliert mit farbiger Wendigkeit und gut sitzenden Spitzentönen."

    — Neue Musik Zeitung - Tonkünstler Verband/Kolland

  • "Musetta überzeugt mit Präsenz, Stimme und Ausdruckskraft. Megan Henry ist eine Musetta wie aus dem Bilderbuch der Gegenwart: mit Bühnenpräsenz, tänzerischer Präzision und einer genüsslichen Körperlichkeit. Stimmlich überrascht sie mit einem dunklen, kräftigen Timbre."

    —Isabel Steppeler; Badische Neuste Nachricht

A woman with long brown hair wearing a black top and a man with short dark hair in a blue shirt, both posing against different textured backgrounds.
A lush garden scene with various green bushes, vibrant purple flowers, and a tree with green leaves and branches overlapping a house with white windows.
A woman sitting on the ground, wearing a green jacket and pink shorts, looking at the camera with a serious expression. The background is dark and moody. Overlaid text reads 'la bohème'.
A woman in a black dress sitting on a stone bench, smiling at the camera, with a stone pillar and architectural details in the background.

Greek-American soprano Megan Henry opens her 2025/2026 season as the featured Rossini soloist in a Gala with Opera Augusta. Other highlights include her Leipzig Gewandhaus Debut as Esmerelda in Smetana’s Die Verkaufte Braut and a Crossover Concert with Italian Pop-icon Nevio. She rounds out the summer singing Rossini’s leading lady Berenice in L'occasione fa il ladro in the Frankfurt Palmen Garten and beginning a film music tour with the Sorbische National-Ensemble.

Her 2024/2025 season was marked by the acclaimed portrayal of Musetta in La Boheme at The Schlossfestspiele Ettlingen and Pepita Inez in the Operetten Frosch Award Winner Märchen im Grand Hotel. In the previous season (2023/2024), she made her Canadian debut in Montreal and also jumped-in for the world premiere of SoYoung Kim’s Credo live on BR Klassik in Munich, Germany.  

A former winner of the International Singing Competition of Kammeroper Schloss Rheinsberg and 3rd place in the Suoni d’Arpa Duo division together with Felix Hahn. Megan is a specialized cross-genre performer, She continues to captivate audiences not only with her versatility and vibrant stage presence, but also with her technical precision and infectious joy.

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